- High octane shift cars era starts movie#
- High octane shift cars era starts code#
- High octane shift cars era starts series#
So the engine still knocks a lot if you are running a fuel that isn’t good enough for your current calibration. The subsystem is the same, but the OAR strategy adds some much needed intelligence to the primitive knock control system.ĮCU's have of course had knock control for tens of years, but simple knock control is quite flawed because if you run bad fuel constantly, the ECU is constantly having to retard to stop the bad knock because the system is only "reactive" meaning that it can only act AFTER a knock event was sensed. How does it work? Is it not just the same as knock control? This is the only system on the vehicle that stops you killing your engine with bad fuel.Īll manufacturers cars now do this to some extent, but Fords recent strategies use this proprietary and patented OAR system as their solution and it is only this system we will discuss today. The PCM actually knows the difference between an engine that is running well and one with poorly combusting fuel running into knock and it can adjust its spark and load allowance accordingly, per firing event, in order to combat the knocking fuel. It has two little microphones called knock sensors that are tuned to your engines specific cylinder frequency and this noise data is fed back to the PCM constantly. The PCM running your 2 and 2.3 litre Ecoboost engine is constantly listening to the noise that the engine makes. We have been harnessing its power now for over 11 years and have never seen any need to disable it.
High octane shift cars era starts code#
This strategy is proprietary Ford code and it has been in place on every car Ford have sold since at least 2012. It has nothing whatsoever to do with COBB, with MSD, or with any other tuner.
High octane shift cars era starts movie#
Also, a special mention to Anton LaVey who not only provided the quote that opens the movie (and my piece) but is also credited as a “technical advisor.” That should tell you all you need to know about the movie.First of all, you need to understand that this is a FORD octane prediction and self tuning strategy. It is a sight to behold and worth the watch just for him. Meaning, he just looks like a confused dog, like when you showed him a biscuit and then make it “magically” disappear in your other hand. There are a couple of scenes between him and the Car where there isn’t any dialogue, so Brolin just has to react with his face. Is this movie great? Technically, no, but is it a fun ride? You bet. How the hell are they going to stop a car that doesn’t have a driver, is bullet proof, and can turn on a motherfucking dime? You’re just going to have to watch this baby to find out.
The bodies start piling up and, I’m guessing, the town’s yearly supply of body bags is being depleted at an alarming rate. As my husband said while rewatching the movie with me this morning, “That car is an asshole.” The entire town is being terrorized by the Car but any attempt to stop it is thwarted. Eventually, parents and staff (including Ronny Cox) get wind of what is going on but they just think it’s a madman behind the wheel. The annoying french horn player? Squished. The Car starts picking off people before the authorities even know there is a demonic car in their midst. Is that so wrong? Apparently, it is because his town is visited by the Car. He’s a divorced dad of two young girls (those wacky Richards sisters, Kim and Kyle), who’s just trying to get it on with his girlfriend, Lauren (Kathleen Lloyd). James Brolin (post- Westworld, pre- Amityville) is Chief Deputy Wade Parent. Instead of the Atlantic ocean, we’re in the Southwest desert, but it’s essentially the same story with an asshole demon car instead of an asshole shark. I, of course, did not go that route and, really, did you expect me to? Ladies and gentlemen, I give you… The Car.įirst off, to get it out of the way, yes this is a straight up rip-off of Jaws.
High octane shift cars era starts series#
If you’ve been reading this series on TFS (and I know you have been), you’ll notice that my colleagues have chosen pretty prestigious films to write about Bullitt, Vanishing Point, The Driver, and the like. "Oh great brothers of the night who rideth upon the hot winds of hell, who dwelleth in the Devil’s lair move and appear…" - Anton LaVey
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